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In the final lesson in the Fundamentals course, you will be combining all of the concepts and training you have learned thus far. Using the stretched canvas that you made at the beginning of this course you will draw John Asaro’s planes of the head sculpture from the photos provided. You will focus on turning form, establishing clear planes, clearly showing your light source and developing proper values and value relationships.

In this lesson, you will be putting together all of the skills you have learned thus far. Your project will be to draw a still life, consisting of geometric forms arranged in an interesting group. Your skills at construction, measuring, and building up value in order to create the illusion of three-dimensional form will all be put to the test. Iliya will demonstrate the project first and you will then work on your version from home.

In this lesson, you will learn the essential elements of light and shadow. You will learn the components of light theory including light, shadow, halftone, the terminator line, cast shadow, and highlight. You will learn how to group your values correctly and how to turn your forms with tone. You will also learn how to describe curved and planed surfaced, and you will also practice rendering techniques to describe structure clearly and efficiently.

In this lesson, Iliya will train you on one of the most important elements in the Russian drawing approach: form. Using simple geometric forms, you will learn how to correctly describe three-dimensional volume in your work. You will learn how to draw the cube, cylinder, and cone from observation as well as how to construct these forms from imagination. Then you will combine both approaches and construct the forms from observation.

Join Ukrainian-born artist Iliya Mirochnik as he passes on a 250-year-old academic method preserved at the Repin Academy in Saint Petersburg, Russia and seldom taught outside of the Academy and never before on camera. The Russian Academic drawing and painting approaches were uninterrupted by the modern art movements that transformed representational art in the West, and […]

As David Simon begins his fourth lesson in his figure sculpting series, he is determined to address issues like the articulation of the hips and “rubbery” qualities of the legs. For the most part, he’s done adding and subtracting volumes of clay and no longer will be “futzing around” with that sort of minutiae. He […]

Now that you’ve internalized the fundamental techniques and concepts related to Frank Reilley’s rhythmic abstraction of the head, Mark encourages you to tackle more nuanced angles, poses, and expressions of the portrait in the final lesson in his series. He demonstrates various approaches using toned paper and colored pencils, as well as a technique for […]

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Instructor
Ellen Eagle
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