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David dives head first into developing and refining the head, beginning with checking the angles and widths, then continuing down from the head to resolve and refine the relationships and transitions into the back. David then works up and down the model, pushing the forms and relationships to greater sense of balance, before refining the hands and breasts. David ends with an overview of his sculpting tools and leaves us with some final thoughts on his sculpture.
David begins by reevaluating the model as a whole. He then revisits the lower body, dealing with the knee, lower legs, upper legs, and blocking in the feet. He also spends some time blocking in the head. With the exception of the hands and some awkward transitions in the arms, David brings the sculpture to a better sense of balance in form.
David Simon resolves the forms and relationships of the shoulders, breasts and ribcage. He begins to put in some of the elements of the face, then ends by moving down to the pelvis and adjusting those large forms.
The skull was a critical part of the learning process at the Repin academy. In this lesson, Iliya will break down the construction and anatomical features of the skull.
In this lesson we will be using reference from one-of-a-kind castings of a real human cadaver by famed art anatomist Eliot Goldfinger to do a study of the form creating muscles of the face.
In this lesson, we are going to bring together all of the structure and anatomy of the head and neck we’ve been studying in order to create a fully rendered portrait drawing from a live model.
In this lesson you will do a study of the form creating muscles of the neck using reference from one-of-a-kind castings of a real human cadaver by famed art anatomist Eliot Goldfinger.
In this lesson, you will learn the skeletal structure of the neck, clavicles and scapulae, and how they articulate to create the shoulder girdle.
In the final lesson in the Fundamentals course, you will be combining all of the concepts and training you have learned thus far. Using the stretched canvas that you made at the beginning of this course you will draw John Asaro’s planes of the head sculpture from the photos provided. You will focus on turning form, establishing clear planes, clearly showing your light source and developing proper values and value relationships.
In this lesson, you will be putting together all of the skills you have learned thus far. Your project will be to draw a still life, consisting of geometric forms arranged in an interesting group. Your skills at construction, measuring, and building up value in order to create the illusion of three-dimensional form will all be put to the test. Iliya will demonstrate the project first and you will then work on your version from home.