Mark establishes the darkest darks in the hair and the eye sockets. Then he places reflected light into the shadow pattern and works on the halftones and the edges. With that, he carries the painting to completion.
Mark does the graphite drawing for the male portrait on hot press illustration board. This time he chose a subject with craggy features and dramatic lighting. Mark puts down the base tones and gets the painting ready for further applying the darkest darks and the halftones in the next lesson.
This is the final part of the female portrait session. Mark works on the hair and the darks, he demonstrates how to achieve a full range of value in your painting.
The second part of the female portrait session. Mark puts down the base tones then goes into detailing the facial features. From this lesson, you can learn how to model a head with color.
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