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Now that you’ve internalized the fundamental techniques and concepts related to Frank Reilley’s rhythmic abstraction of the head, Mark encourages you to tackle more nuanced angles, poses, and expressions of the portrait in the final lesson in his series. He demonstrates various approaches using toned paper and colored pencils, as well as a technique for creating rich blended tones using a combination of wax pencil and mineral spirits on a printed vellum copy.

Mark diverges from the curvilinear rhythmic approach and shows you how to conceptualize the head by using planes and connecting lines. Many art teachers harp on the need to focus on construction, without pointing directly to what they mean by construction. In this lesson, Mark takes direct aim at this concept so that you have an adequately solidified mental model of the head before moving onto more difficult angles in the final lesson.