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Welcome to the site and community. 🙏🏼😁
Update:
Introduction to Oil Painting with Charles Hu is now LIVE!
- This reply was modified 4 years, 10 months ago by Joshua Jacobo.
- This reply was modified 4 years, 10 months ago by Joshua Jacobo.
UPDATE: Contemporary Realism in Oils with Hollis Dunlap is now LIVE
Welcome from California, Christa!
Nice work.
You are you too heavy on the outer edges of the forms which is having a flattening effect on the work.
Also for this exercise it would be good to see the hatching marks that Iliya teaches because it trains you to develop the form clearly. For example looking at the chest I can’t tell how the forms are moving in space.
Nice work.
The length of the figure appears to be too long for the amount of foreshortening you are suggesting. We tend to make foreshortened forms more like how they appear in the standing figure. You can use a simple head (as it appears from your angle) stacking visual measurement to check this.
Nice work.
We use lines as design elements (as you do nicely), but primarily they describe changes in 3d forms. When you are drawing these lines try to imagine them moving in a three dimensional environment, wrapping over and across 3d form and not just as flat marks.
Norman, nice work.
As you do these gestures, try to be more sensitive to how the gesture plays against a vertical line (representing gravity). Especially in the legs, this will help give your figures more of a sense of balance and the illusion of reality.
Also try to develop more sensitivity to angles and of widths in particular.
Also work on correcting your heavy hand. Use soft pencils and train yourself to lay on very very lightly and build dark values over time. This will give you more control.
July 1, 2019 at 9:19 am in reply to: Russian Portrait draw along with Iliya, crits very much welcome #210295Nice work. Work on controlling your values more carefully. When things get this dark and messy the illusion can begin to break down. If you find yourself getting too dark everywhere you can always erase with a kneaded eraser and then draw back into the lightened mass.
Great to see your progress. Here are my suggestions:
1. For now stick with a single color in your drawings.
2. You have a heavy hand. Use a softer pencil and train yourself to lay down lines so lightly that only you can perceive them and then build towards your darker values.
3. Your work is very line dominate. For now, try thinking of everything as forms that turn and try to make the form turn more with changes in value that with hard lines.
Nice work. Watch those widths. The cranium looks wide to me. Also keep in mind that those forehead planes and moving away as they head towards the hairline. That should come through in the painting. 👍🏼
Lise,
Is your video player set to the highest HD quality?
Thanks for those suggestions. It never hurts to send messages or emails to artists you’d like to see on the site and suggest that they work with us. That has helped in the past. 👍🏼
Thanks for the feedback. We have one watercolor course with the late Mark Westermoe being edited and a new landscape watercolor course planned with an unannounced but fantastic watercolorist and we will continue to plan content in this medium.
We are working on a change to the way lessons and courses are organized that should help.
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