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  • in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #679606
    Ian Coltman
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    Days 98-100 | The Painted Keith – reference: Keith Morrison

     

    I’m at the point in my move where I’m living out of boxes between two residences.

    Confined to the iPad, I decided to attempt my first digital painting in over 80 days. My approach and speed have improved substantially, and I am happy with the results of my 100 days challenge. It was a great experience!

    The main goal of my challenge was to establish daily drawing and painting practice while developing some material approaches I can carry forward.

    I haven’t decided whether to do another challenge yet, but am pondering a more regimented approach for a second one if I do.

    I wish I could have finished some of my lofty project goals, but my family moving duties and the need for more fundamental drawing practice took precedent this time.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #679596
    Ian Coltman
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    Day 97 | Keith Caricature – reference: Keith Morrison

     

    My art studio and computer workstation were packed up… so this was my weekend entry on the iPad.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #672616
    Ian Coltman
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    Day 96 | “So much to do, so little time!!!” – reference: Rajiv

     

     

    This one is Prismacolor Col-erase Purple, Ahab fountains pens, dip-pen/G-nib, colored inks, Pigma FB, Pigma MB, and water on Strathmore 400 paper.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #672614
    Ian Coltman
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    Day 96 | Serge’s Bender – reference: Serge

     

     

    I had some extra time on Friday so I did two full-color experiments.

    This one is Prismacolor Col-erase Purple, Ahab fountains pens, dip-pen/G-nib, colored inks, Pigma FB, Pigma MB, and water on bristol paper.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #670257
    Ian Coltman
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    Day 95 | “5 More Days!?!?”– reference: Rajiv

     

    Did this in the middle of the night.

    Violet Prismacolor Col-erase pencil,  3 Noodler’s Ahabs with CMY ink scheme, Pigma FB & MB, Muji 0.35 Ballpoint Liner, Muji 0.7 Polycarb Ballpoint, water on Bristol paper.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #670229
    Ian Coltman
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    Day 94 | Rajiv – reference: Rajiv

     

     

    Another busy day on Wednesday… worked late last night to make sure I had something done… experimenting with an erasable Prismacolor pencil layin.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #670225
    Ian Coltman
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    Day 93 | Amina – reference: Amina

     

     

    Too busy with moving stuff to really engage in focused drawing on Tuesday… I sat down and hastily did this one to keep coasting pace.

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #667021
    Ian Coltman
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    Day 92 | Warmup portrait 3 – reference: Carlotta

     

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #667019
    Ian Coltman
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    Day 92 | Warmup portrait 2 – reference: Patrick

     

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #667017
    Ian Coltman
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    Thanks Erik!

    To answer your question,  these panes are about 2 1/2″ wide.

     

    Day 92 | Warmup portrait 1 – references: Angelique

     

    I’ve been preoccupied with moving duties, and never really got out of warm-ups on Monday.

    This sketch and the next couple were on a practice piece of bristol paper with various pens (fountain, Pigma, Muji).

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #665411
    Ian Coltman
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    Thanks for the perspective advice Erik!

    I need to do some more mindful perspective practice with an easier subject I think.

     

    Day 91 | Ink Portrait Panes – references: Vanna, Diana

     

     

    I’m hoping to complete a sketchbook page that includes a pane for each NMA model… the goal for each pane is to balance graphic quality and likeness while reducing and refining my strokes.

    I’m doing layins with diluted black ink in the Falcon, then going over with washable Muji black gel ballpoints, and adding black punch with Pigma brush markers. Some highlights / minor corrections are done with a white gel pen.

    I’m debating whether to include some duo-tone panes with colored ink or stick with the mono palette.

    Ian Coltman
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    Hi Dane,

    I love this pen work!

    in reply to: Erik’s 100 Day Challenge: Say More With Less #664236
    Ian Coltman
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    Wow!  Nice work, as usual… very bold color!

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #664068
    Ian Coltman
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    Hey Erik… thanks, man! I appreciate that very much! Some days I might be overdoing it… but I’ll be done in less than two weeks… I wish I could say I was going to Disneyland, but I’ll be moving houses right when this is over. I’ll try to keep drawing every day though.

     

    Day 90 | Game Night – reference: Todd Hido photograph

     

     

    More loose experimentation with ink and watercolor. The perspective work is lacking but I stuck with it for a moody exploration.

     

    in reply to: Ian’s 100-Day Art Challenge: Faces, People, and Places #662410
    Ian Coltman
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    Hi Silke,

    Thank you so much for the encouraging words!

     

    Day 89 | Maddow & Hayes Caricatures – reference: Google image search

    Over 70 days have passed since my last caricature attempt. The Vilppu planes were echoing in my head a little when I did these… but not enough. I’m going to do a few more mixed-angle studies of the planes next.

    This was drawn on an iPad with Infinite Painter using the Proko Pencil.

     

Viewing 15 posts - 1 through 15 (of 150 total)