In week two, you’ll explore color saturation by organizing colors into clearly defined levels of intensity. Bill Perkins introduces how saturation interacts with value and light, then presents four lighting setups that each demand a different balance of saturation. You’ll use a limited palette to separate neutral, mid, and high saturation zones, observing how saturation shifts across form and environment. The exercises train you to compare and adjust saturation in context, creating depth and harmony within a restrained color range. 

Throughout this course, you’ll have access to the NMA community for feedback and critiques to improve your work as you progress.