In this final lesson, David modifies the sculpture’s eyes and hair direction, adds movement to its brows, eyes, and lips. He also describes the finishing techniques he uses including specific tools and materials: Gamsol solvent, clay-solvent mixture, baby powder, brushes, and cotton fabric.
In the beginning of this lesson, David refines the left side of the face and lays out the facial symmetry. After that, he cuts the sculpture’s neck through with a wire and changes the pose of the sculpture to give some movement to it. Then David adjusts the neck and the lower part to the new pose and adds more details to the neck connection with the head and the shoulders. You will also learn how to give movement to certain facial features like eyes or lips.
In this lesson, David lays in the shoulders, the collar bones, and the sternum. He also adds mass to the lower part of the sculpture to balance out the upper part. Then David demonstrates how you can adjust the relationships between the right ear, the neck, and the hair by adding or removing volume and refining transitions. He adjusts the forehead-hairline-temple relationships the same way. Finally, you see how the right side of the portrait gets more and more specified.
Now that we’ve reached the mid-way point, David starts this lesson by comparing the sculpture with the model again and identifying the new problem areas. He works on the forehead and the hairline and adds volume to the back of the head. In the last part of the lesson, David focuses on the left side of the face.
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