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In week six, instructor Bill Perkins will discuss how you can use shapes in a composition to create directions of force and movement. He will teach you that shapes can be categorized between major and minor keys, to develop a sense of hierarchy. You will learn to design shapes to get the most impact on your artwork.
Throughout this course, you’ll have access to the NMA community for feedback and critiques to improve your work as you progress.
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Reference Images (25)





John Gannam Illustration.

Dean Cornwell, Never the Twain Shall Meet, Cosmopolitan Illustration, 1923.

Neil Campbell Ross, Concept Art.

Aladdin Style Sheet 1.

Peter Pan.

El Greco, Saint Jerome as Scholar, 1610.

Dan McCaw, Reflective Moment.

Eyvind Earle.


Grant Wood, Arnold Comes of Age, 1930.

Grant Wood, The Midnight Ride of Paul Revere, 1931.

Grant Wood, Fall Plowing, 1931.

Pierre Bonnard, Le Corsage Rayé, 1922.

Pierre Bonnard, Intérieur Blanc, 1932.

Pierre Bonnard, The Snack, 1931.

Katsushika Hokusai, The Great Wave off Kanagawa, 1831.

Katsushika Hokusai, Fuji from Gotenyama at Shinagawa on the Tōkaidō, 1830-32.

Katsushika Hokusai, Whaling off Gotō, 1832-1834.

Norman Rockwell, Painting the Little House, 1921.

Norman Rockwell, U.S. Army Teaches a Trade (G.I. Telegrapher), 1919.

Norman Rockwell, Ouija Board, 1920.
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