- Lesson Details
- Instructor
- Iliya Mirochnik
- Subjects
- Drawing
- Topics
- Head & Portrait
- Mediums
- Chalk, Conté
- Duration
- 1h 33m 3s
- Series
- The Russian Drawing Approach
After studying the drawing fundamentals as well as the anatomy of the head and neck we are ready to start our first portrait project. Using traditional media such as sanguine, chalk, and stretched paper we will start our first portrait of a man’s head from the 3/4 front view.
The New Masters Academy Coaching Program directly supports this Course. If you enroll in the coaching program, you can request an artist trained in the Russian Academic Method including Iliya Mirochnik himself. Click here to enroll in the Coaching Program.
Materials
- Sanguine pencil
- Piece of sanguine colored chalk
- Vine charcoal
- Charcoal pencil
- Notebook
- Graphite pencils
- Kneaded and Hard Erasers
- Sanding Block
- Utility Knife
- Roll of Paper, Smooth Sketchbook paper
- Staples
- Staple gun
- Artist panel
- Easel
- Light source
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Free to try
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1. Russian Portrait Q&A Demonstration Overview
5m 36sNow playing...
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2. Do you start with warm-up sketches when drawing a portrait?
2m 40s -
3. How do you measure the proportions of the head?
3m 9s -
4. What’s the difference between the Russian academic approach and approaches taught in America?
2m 22s -
5. What pencils would you recommend?
2m 4s -
6. Have you ever used your art skills to get a girl that you liked?
1m 19s -
7. Do you start the portrait the same way every time?
1m 39s -
8. Is this canvas or paper?
1m 4s -
9. Why did you choose this model?
35s -
10. Do you have Instagram?
1m 13s -
11. Is this particular approach a combination of a structural approach with an atelier approach?
3m 42s -
12. How do you prevent the features from becoming too small?
1m 23s -
13. What is your favorite medium?
2m 8s -
14. What are your art influences?
4m 4s -
15. How do you work with shadows?
1m 56s -
16. Do you work from life or from photo for portrait commissions?
59s -
17. Do you combine Italian and atelier approaches?
32s -
18. What’s this paper’s tooth?
2m 14s -
19. How do you balance the design choices and the composition?
1m 9s -
20. Are the darker outlines part of the style or part of the process?
1m 29s -
21. Do you sculpt?
49s -
22. How important is it to have a personal tutor when you’re studying?
1m 19s -
23. How long did you study at the Repin Academy?
1m 16s -
24. Is it possible to become a professional artist without going to Academies?
1m 7s -
25. Do you draw every day?
4m 39s -
26. Do you ever feel like your work is good enough?
1m 0s -
27. Is it quicker to learn from an instructor than from books?
3m 22s -
28. Do you ever exaggerate the features of the model?
1m 55s -
29. Is it unprofessional to use a blending stump?
30s -
30. Do you break a lot when you’re working from a model?
1m 5s -
31. What’s your advice for those who feel like they’ve hit a plateau and are not improving?
2m 50s -
32. How long did it take you to acquire knowledge of anatomy?
1m 53s -
33. Do you have a particular order of operations or is it jazz?
1m 37s -
34. How young were you when you started your art education?
2m 51s -
35. What do you think of Reilly method of drawing?
5m 12s -
36. Do you have experience working digitally?
2m 19s -
37. What’s the benefit of working on paper mounted to a board?
3m 41s -
38. How many drawings does one need to do a day to improve?
53s -
39. Did you have a practice session with this model before?
24s -
40. How do you determine when a drawing is finished?
1m 47s -
41. Does it matter if the artwork has some smudges?
2m 0s -
42. What was the longest you spent on a drawing?
1m 46s -
43. What are your favorite art books?
1m 27s -
44. Do you work in silence or to music?
52s -
45. Which lines do you emphasize and which ones do you leave out?
1m 23s -
46. What’s the best bit of advice you’ve received from a mentor?
3m 49s
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