In week ten, Steve Huston begins refining focal areas of the long-form paintings while maintaining energy across the whole composition. He strengthens contrasts, sharpens edges, and enriches select color passages in places he wants to draw the eye, while keeping other areas softer and more atmospheric. This stage is about establishing hierarchy and preparing the paintings for their final resolution, ensuring the viewer’s attention is guided without sacrificing unity or vitality.

Throughout this course, you’ll have access to the NMA community for feedback and critiques to improve your work as you progress.