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- Lesson Details
- References
- Assignments
In week six, you will continue working on a multi-figure painting. Instructor Charles Hu will demonstrate how to refine both figures in the composition. You will learn how to capture the characteristics of each model.
Throughout this course, you’ll have access to the NMA community for feedback and critiques to improve your work as you progress.
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Reference Images (16)
Venus in front of the mirror
*oil on panel
*123 x 98 cm
*1614 - 1615
Peter Paul Rubens, Venus in Front of the Mirror, 1614 - 1615.
Pieter Paul Rubens, Christ and the Penitent Sinners.
Peter Paul Rubens, Frans Snyders, and Jan Wildens, Cymon and Iphigenia, 1617.
John Singer Sargent, Cancale, 1878.
Peter Paul Rubens, Angelica and the Hermit, 1626–1628.
Peter Paul Rubens, Adam and Eve, 1629.
Peter Paul Rubens, Venus, Cupid, Bacchus and Ceres, 1612-1613.
Peter Paul Rubens,
The Judgment of Paris, 1606.
Peter Paul Rubens, Hercules as Heroic Virtue Overcoming Discord, 1632-1633.
GG_526.tif
Peter Paul Rubens, The Four Continents, 1615.
Lot and his daughters
*oil on canvas
*190 x 225cm. including early 18th century horizontal additions to top and bottom edges of circa 18 and 10cm. wide
*circa 16131614
Peter Paul Rubens, Lot and his daughters, 1613-1614.
Anthony van Dyck, Cupid and Psyche, 1638.
Peter Paul Rubens and workshop, Meleager and Atalante.
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1. Learning Recommendation
24sNow playing...
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2. Forms of the Male Torso
27m 39s -
3. Blocking in Ryder's Face
6m 19s -
4. Blocking in Ryder's Face Part 2
15m 54s -
5. Defining Female Forms
29m 54s -
6. Blocking in Sara's Face
21m 20s -
7. Refining Sara's Face and Torso
33m 42s -
8. Developing Sara's Legs
28m 20s -
9. Detailing Ryder's Face
28m 50s -
10. Final Details From Life
25m 58s -
11. Assignment
24s
