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- 4h 9m 22s
In week three, instructor Erik Olson will show you how to use the cone of vision to avoid distortion and establish the picture frame in your perspective drawings. Then, you will learn how to plot cubes in perspective using an orthographic view. You will also watch Erik analyze the use of perspective in a painting by master painter Pieter De Hooch.
Throughout this course, you’ll have access to the NMA community for feedback and critiques to improve your work as you progress.
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1. Learning Recommendation
24sNow playing... -
1. Diagram 17 : Traditional Frames Created within/around the Cone of Vision (1)
17m 17sNow playing...
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2. Diagram 17 : Traditional Frames Created within/around the Cone of Vision (2)
16m 22s -
3. Diagram 17 : Traditional Frames Created within/around the Cone of Vision (3)
16m 42s -
4. Diagram 18 : Drawing a Side View, Top View, and Perspective View Together (1)
16m 36s -
5. Diagram 18 : Drawing a Side View, Top View, and Perspective View Together (2)
17m 0s -
6. Diagram 19 : Setting Up and Creating a 1 point Perspective Gridded Room (1)
15m 43s -
7. Diagram 19 : Setting Up and Creating a 1 point Perspective Gridded Room (2)
15m 9s -
8. Diagram 19 : Setting Up and Creating a 1 point Perspective Gridded Room (3)
15m 36s -
9. Diagram 20 : Reversing from a 1 point Perspective Sketch back to the Formal
17m 30s -
10. Diagram 21 : Drawing Perspective Over a Pieter de Hooch Painting (1)
16m 49s -
11. Diagram 21 : Drawing Perspective Over a Pieter de Hooch Painting (2)
15m 15s -
12. Diagram 21 : Drawing Perspective Over a Pieter de Hooch Painting (3)
19m 28s -
13. Diagram 22 : Drawing a 1 point Table with a 2 Point Book on Top
16m 22s -
14. Diagram 23 : Demonstrating the Parameters and Use of Film Frames (1)
16m 52s -
15. Diagram 23 : Demonstrating the Parameters and Use of Film Frames (2)
15m 53s -
16. Assignment
24s
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