Since the big critique thread is closed, posting this here. I’m just a fellow artist, not an instructor…
Lauren, for being new, this is a great start. I like that you got the perspective of the face plate. One suggestion I would have is, when lining up the brow ridge with the other features, think of the skeleton underneath. I marked what I expect the two top corners of the brow ridge to be, and those two don’t quite line up. Our eyebrows can move, but our brow ridges don’t. So I’d take that into consideration when modeling that area. Keep at it!
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