- Lesson Details
- Instructor
- Eric Michael Wilson
- Subjects
- Modeling & Sculpture
- Topics
- Head & Portrait
- Mediums
- Oil-Based Clay
- Duration
- 4h 7m 36s
In this lesson master sculptor Eric Michael Wilson demonstrates a foundational exercise for sculptors that teaches you how to tackle a complex set of sculptural forms from Michelangelo’s famous David sculpture. In this traditional exercise, you have the opportunity to study and analyze forms at a large and controlled context without the pressures and compounding complexity of bringing together a full head or figure. You will gain an appreciation for masterful sculpture as well as learning to observe and reproduce form as a subject in itself.
Materials
- 3/4″ Melamine Board
- Plywood 2×4″ or Wood Strip
- 6 Large Paint Stirrers
- Electric Drill
- Philips Head Screws
- Clamp
- Sharpie Marker
- Hand Saw
- Calipers
- 3/4″ Aluminum Wire
- 18 Gauge Aluminum Wire
- Drywall Screws
- Needle Nose Pliers
- Plastalina or Water-Based Clay
- Wood Modeling Tools
- Rake Tool
Beginner Friendly
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15 likes
Reference 3D (2)
Free to try
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1. Lesson Overview
53sNow playing... -
1. Creating a Platform for the Eye
10m 36sNow playing... -
1. Constructing the Stand
10m 11sNow playing... -
1. Using Calipers to Create a Bounding Box in Preparation for the Sculpture
8m 14sNow playing...
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2. Adding Armature Wire to Support the Clay
10m 58s -
3. Applying the Clay to the Armature
13m 10s -
4. Shaping a Sphere for the Structure of the Eye
11m 56s -
5. Building the Eye and the Eyebrow
11m 53s -
6. Creating the Planes of the Eyelids
10m 29s -
7. Taking a Step Back and Looking for Problems
8m 11s -
8. Using Light to Compare the Shadows by Turning the Sculpture
12m 23s -
9. Checking Proportions Using Calipers
11m 24s -
10. Refining the Planes of the Eyelid
10m 51s -
11. Comparing the Planes by Rotating the Stand
11m 7s -
12. Raising the Lower Eyelid
12m 21s -
13. Forcing Yourself to Put Your Tools Down and Take a Step Back
13m 13s -
14. Shaping the Eyeball
10m 45s -
15. Shaping the Eyebrow and Below the Eye Using Pet Screen
10m 19s -
16. Creating a Plane Change Below the Eyebrow
10m 57s -
17. Resolving the Form in all Areas of the Sculpture
8m 51s -
18. Using Turpenoid to Dissolve the Top Layer of Clay
9m 26s -
19. Using Sculpting Tools and Screen to Finalize the Sculpture
8m 26s -
20. Using Paint Brushes to Clean Up the Sculpture
10m 51s -
21. The Separation Between the Eye and Eye Lid
10m 11s
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