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Summer Bootcamp Description
Catherine Bobkoski reveals how to treat charcoal like wet paint—achieving rich tonal transitions, expressive edges, and confident gesture. Over four weeks you’ll progress from large-mass block-ins to nuanced value modeling, using subtractive techniques, eraser lifts, and controlled fixative layers. Focus topics include temperature shifts within black-and-white media and the choreography of hard versus soft edges.
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Reference Images (82)
CHARDIN, Jean Baptiste Simeon_Bodegon con almirez, cantaro y caldero de cobre, c. 1728- 1732_118 (1930.14)
A Cup of Water and a Rose
*oil on canvas
*21.2 x 30.1 cm
*about 1630
opname/scan 2002
"John Frederick Peto, Breakfast, c. 1890s, oil on academy board, overall: 14.8 x 22 cm (5 13/16 x 8 11/16 in.)
framed: 25.4 x 32.54 x 2.22 cm (10 x 12 13/16 x 7/8 in.), Collection of Mr. and Mrs. Paul Mellon, 1999.79.29"
"John Frederick Peto, Still Life with Cake, Lemon, Strawberries, and Glass, 1890, oil on canvas, overall: 25.72 × 35.4 cm (10 1/8 × 13 15/16 in.)
framed: 36.2 × 46.36 × 3.81 cm (14 1/4 × 18 1/4 × 1 1/2 in.), Collection of Mr. and Mrs. Paul Mellon, 2014.18.37"
"John La Farge, Flowers on a Window Ledge, c. 1861, oil on canvas, overall: 61 × 50.8 cm (24 × 20 in.)
framed: 76.2 × 66 × 7.6 cm (30 × 26 × 3 in.), Corcoran Collection (Museum Purchase, Anna E. Clark Fund), 2014.79.25"
Opnamedatum: 2011-06-30
"William Merritt Chase, An English Cod, 1904, oil on canvas, overall: 91.76 × 101.92 cm (36 1/8 × 40 1/8 in.)
framed: 47 1/2 x 51 7/8 x 5 in. (120.65 x 131.76 x 12.7 cm), Corcoran Collection (Museum Purchase, Gallery Fund), 2014.136.5"
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