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In the final lesson in the Fundamentals course, you will be combining all of the concepts and training you have learned thus far. Using the stretched canvas that you made at the beginning of this course you will draw John Asaro’s planes of the head sculpture from the photos provided. You will focus on turning form, establishing clear planes, clearly showing your light source and developing proper values and value relationships.

Now that you’ve internalized the fundamental techniques and concepts related to Frank Reilley’s rhythmic abstraction of the head, Mark encourages you to tackle more nuanced angles, poses, and expressions of the portrait in the final lesson in his series. He demonstrates various approaches using toned paper and colored pencils, as well as a technique for […]

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In the fifth lesson of the series, Mark diverges from the curvilinear rhythmic approach and shows you how to conceptualize the head by using planes and connecting lines. Many art teachers harp on the need to focus on construction, without pointing directly to what they mean by construction. In this lesson, Mark takes direct aim […]

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In the final installment of Johanna Schwaiger’s first series at New Masters Academy, she makes decisions about the composition of the portrait. She sculpts a distinct set of plane changes at the sternum to distinguish the anatomy from the classical bust structure. The neck muscles and trapezius is sculpted, the eyes finished, and the brows […]

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In the third lesson of the series, Mark begins with some general rules and tips for monochrome drawings– designing the shapes, the values we assign to them, and the edges between them. He then moves on to draw three shadow patterns on three heads based on the Reilly Abstraction. He incorporates three different lighting scenarios […]

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In the series’ second lesson, Mark introduces Frank Reilly’s abstraction: a rhythmical representation of the shapes and forms of the head. Internalizing this model will give you an excellent starting point for any portrait or head drawing. Mark first explains a little bit of the history behind this abstraction, then moves on to show you […]

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As the protegé to the famous Fred Fixler, who worked directly under the legendary Frank Reilly, Mark has unrivaled knowledge of the Reilly Method for drawing the head. In the 1980’s, his artistic prominence gave way to an illustrious career in Hollywood movie poster design. He later founded Associate’s in Art in Southern California, a […]

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Here is the final week’s recording from Art Mentors’ 10-week class in which the masterful Glenn Vilppu teaches head construction. Working from a live model, Glenn demonstrates techniques for blocking in the head, tips for incorporating expressions into your drawings, and gives details about his personal sketchbook. He also goes over some of his sketches […]

World-renowned sculptor Johanna Schwaiger joins New Masters Academy, bringing with her over 20 years experience of teaching and producing figurative and portrait sculpture. In her first series, she demonstrates her method of sculpting a female portrait from a live model. You’ll learn important methods and procedures using various sculpting materials and tools, key landmarks of […]

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We’re happy to share with you a previously recorded class from Art Mentors. In this class, Master draftsman Glenn Vilppu teaches constructive head drawing. In this 9th session, he focuses on showing reflected and direct light on his drawings of the model. Glenn starts with some 5-minute warmups and moves onto longer demos using various […]

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Instructor
Ellen Eagle
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