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Viewing 15 posts - 1 through 15 (of 245 total)
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  • in reply to: 1 Point Perspective question. #1372220
    GordanKnezic
    Participant
    No points.

    That actually becomes a three point perspective.

    one point perspective – vertical and horizontal lines are parallel with the picture plane

    two point perspective – horizontal lines are angled and vertical lines are parallel with the picture plane

    three point perspective – no lines are parallel with the picture plane

    in reply to: An Introduction to Art Philosophy #1179294
    GordanKnezic
    Participant
    No points.

    Absolutely love this lesson! Steve Huston presentation is so empowering and puts in real perspective the thinking and reason behind being artist and doing the art. The “why” has always been an important question on my mind and Steve just opened that window to the world of magic for me. Thank you Steve!

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #1010077
    GordanKnezic
    Participant
    No points.

    Day 72

    • This reply was modified 3 years, 4 months ago by GordanKnezic.
    • This reply was modified 3 years, 4 months ago by GordanKnezic.
    GordanKnezic
    Participant
    No points.

    Welcome Oleksandra and good luck with your chellange!

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #1007594
    GordanKnezic
    Participant
    No points.

    Day 71

    Started working on this portrait, will finish off tomorrow. When it comes to value modelling relaying mostly on my intuition and little bit of knowledge. I will have to take some courses to learn in more depth about form modeling.

     

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #1000750
    GordanKnezic
    Participant
    No points.

    Day 70

    Thank you Jan and Deborah.

    I find these times very difficult to bear and could not produce any art work. All I could do during last few weeks was just various dexterity drawing exercises. That somehow put me at peace and I didn’t mind doing it. This is my first day back with something more meaningful.

     

    • This reply was modified 3 years, 4 months ago by GordanKnezic.
    • This reply was modified 3 years, 4 months ago by GordanKnezic.
    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #955408
    GordanKnezic
    Participant
    No points.

    Thank you Natalie.

    Day 69

    I finished a self-portrait.

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #945937
    GordanKnezic
    Participant
    No points.

    I don’t have anything to post tonight. My father passed away today and I didn’t have what it takes to do anything today. Tomorrow is a new day, I will try then.

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #941627
    GordanKnezic
    Participant
    No points.

    Day 68

    Almost done with self-portrait

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #935703
    GordanKnezic
    Participant
    No points.

    Day 67

    My self-portrait progress drawing. I will add values tomorrow.

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #935418
    GordanKnezic
    Participant
    No points.

    Hi Christopher, Thanks for your comment!

    Yes, most portraits in NMA library are chiaroscuro. With regards to portrait likeness I am actually not measuring at all. I started with head construction approach of S.Huston and G.Villpu, but then when I got to Charles Hu I learned that you can’t rely just on standard proportions to achieve portrait likeness. You have to accurately capture all major shapes, specific for portrait you are working on. So now I always start with Steve’s sail shape to capture the gesture, define the head angle, rotation and to find the centre line. Right after, by intuition and observation  I roughly draw around the head shape. Next I check the anatomy landmarks and all proportions following with dividing the light and shadow shapes. During all of this I keep adjusting my shapes making them closer to what they should be. Finally I carefully draw all facial features following with the shading. That is roughly my process.

    I tried to work with Conte but quickly gave up on it. I draw on 14″x17″ block, on both sides of the sheets. That does not work well with Conte, which is essentially fancy charcoal. Everything gets stained and dirty. So I will leave Conte aside, perhaps for individual sheet works. I got used to polychromos pencil and I really like it. I will just have to discipline myself not to finish every head I draw,  but instead to focus on structure, form, features and portrait likeness. Shading takes a long time and for the most part I am doing it by observation and a gut feel. I will have to study that part in more depth later on.

    I hope this answers your question.

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #934369
    GordanKnezic
    Participant
    No points.

    Day 66

    GordanKnezic
    Participant
    No points.

    These gestures look really good Christopher!

    in reply to: Gordan’s 100 Day Challenge: Portrait and Figure structure #931908
    GordanKnezic
    Participant
    No points.

    Day 65

    Thanks ianball58!

     

     

    in reply to: Alex’s 100 day art challenge #930879
    GordanKnezic
    Participant
    No points.

    What medium do you use for these drawings? It looks really good and impactful, especially with white highlights and also goes well with the toned paper of your sketchbook.

    I think that front wheels perspective is a bit off. It should be more like the rear wheels ellipse, major axis perpendicular to the wheel shaft axis.

Viewing 15 posts - 1 through 15 (of 245 total)